This weekend we have prepared two surprises, I hope you like them and they make you so excited as we prepare has
^ ^ We spare
etsy shop with some pieces like this:
addition:
During the weekend, today through Sunday at 00.00 all orders you do have free shipping and also if the order exceeds $ 25 will receive an extra regalín ^ ^
can see the stock in ETSY FACEBOOK or . For any queries, just write to TopGlamour@gmail.com
Remember that if you buy through etsy, the amount of postage will be refunded your purchase later ^ ^
But just send us an email before buying to override the shipping ^ ^
Today is one of those days when you get the little sun and have had 8 years back, we would have taken the afternoon after cole to go out with the bike ... Do not you shop? I would be delighted!
For those who have other tasks and these things are reserved for weekends or days, "especially nice", I leave one of the new parts are now available and ... Sure you like!
Formed by the old bike as a key focus, accompanied by small crystal flowers and a beautiful dragonfly. Bring in the back a chain that allows you to lengthen the collar another 5 inches and which hangs a small pearl butterfly.
is a long necklace ^ ^
For further information please write to TopGlamour@gmail.com
and also allowed me to discover that the web spaces developed by Professor Frank Baiz Quevedo, there is a wealth of references, reviews, tutorials and books on screenwriting Digital ...
Written by the same teacher Quevedo, who perhaps are an attractive literature to our visual arts students ... of which, prior authorization Professor Quevedo, share a brief selection of these from "The page of the Script "
First, this is the book "La Ventana impossible "( Fundarte, Caracas. 1993), which can be found in some libraries and booksellers jobs of our capital, but can also be read in full in the pages of the script:
from other large and well developed articles on theory, technique and practice of script, and dramatic analysis and film, script page also offers large and well-stocked bibliography of the script, in which we can find some texts that are beginning to recommend in our studies visual arts:
Alonso de Santos, José Luis (1998) dramatic writing, Madrid: Editorial Castilla.
Aristotle (1982) Poetics direct version, introduction and notes by García Bacca, Juan David, Caracas: Ediciones de la National Library of the Universidad Central de Venezuela.
Baiz Quevedo Frank (1994) window impossible Caracas: Fundarte. ____________________( 1997) Analysis of film and dramatic construction , Caracas: Litterae) ____________________( 1998). New tools for scriptwriting , Caracas: National Film Foundation. ____________________( 1999). "The cinema dialogue: a pragmatic approach" in Hundred Years of Cinema: History, Theory and analysis of film form de Castro de Paz JL, P. Couto Cantero and JM Paz Gago (eds.), Madrid: Visor, 1999. ____________________( 2004) "From paper to light: literary character and film character" In The character and text in cinema and literature (Baiz Quevedo Frank (Ed.), Caracas: National Film and Comala.com Foundation .
Barthes, R . (1966) "Introduction à l'Analyse structurale des recits" Communications, 8, 1-27 [in English in Structural analysis of the story, Madrid: Ediciones Buenos Aires, 1982].
BENTLEY, Eric . (1964) life drama, Mexico: Polity Press.
BERNE, Eric . (1976) Beyond games and scripts . New York: Ballantine Books.
Bettetini, Gianfranco. (1985) The audiovisual conversation. Madrid: Cátedra.
BISHOP, Leonard. (1988) Dare to Be a great writer , Cincinnati: Writers Digest Books.
D. WHITE and R. Well. (1980) semiotic analysis methodology , Lima: Editorial Universo SA, University of Lima.
Bobes Naves, María del Carmen. (1987) Semiology of the play. Madrid: Taurus.
Bordwell, D. (1979) Film Art: an introduction , Massachusetts: Addison Wesley. ______________ (1985) Narration in the fiction film , Madison: The University of Wisconsin Press.
BRENES, Carmen Sofia. (1987) Fundamentals audiovisual script, Pamplona: Universidad de Navarra.
BRADY, Ben L. LEE. (1988) The understructure or writing for film & television , Austin: University of Texas Press
Bremond, C . (1966) "Logique des possibles narratifs" Communications, 8.60 to 67. [In English: "Logic of possible narratives" in Structural Analysis story Madrid: Ediciones Buenos Aires, 1982]. _____________( 1973) Logique du récit . Paris, Seuil.
Burgoyne, Robert. (1986) "The interaction of text and semantic deep structure in the production of filmic characters," Iris, 7, 69-80.
CAMPBELL, Joseph. (1997) The Hero with a Thousand Faces , Buenos Aires: Fondo de Cultura Economica.
Casetti, F. and di Chio, F. . (1990) film Analisi, Milano: Bompiani [In English: How to Analyze a Film , Barcelona: Polity Press, 1991).
CASTILLA DEL PINO, Carlos. (1989) "The construction of self and character sobreconstrucción" in character Theory of Castilla del Pino, Carlos (Comp.), 1-38, Madrid: Alianza Editorial.
CARRIERE, Jean-Claude and Pascal Bonitzer. (1991) Practice screenplay, Barcelona: Polity Press.
Chatman, Seymour. (1978) Story and Discourse : narrative structure in fiction and film , New York: Cornell University Press.
Chion, Michel. (1985). Ecrire a Scénario , Paris, Cahiers du Cinéma.
CLARENCE W. (1962). The screenplay , Buenos Aires: Fontana.
Comparato, Doc (1997) How to write the screenplay for film and television , Mexico: Planeta.
Cooper, Dona. (1994) Writing great screenplays for film and TV. New Yok: Macmillan.
Cucco, Antoine. (1980). L'écriture du Scénario , Paris: Editions Dujarric.
Cucco, Antoine and Paola Foti . (2001) La création des personnages, Paris: Editions Dujarric.
DÍEZ BORQUE, José María. (1989) "Notes on the critical character in the English comedy of the Golden Age," Theory of the character of Castilla del Pino, Carlos (Comp.), 97-120, Madrid: Alianza Editorial.
DUKORE, Bernard. (1973) Dramatic Theory and Criticism, Honolulu: University of Hawaii.
DUCROT O. T. Todorov et (1986) Encyclopedic Dictionary of Language Sciences . Madrid: Twenty-First Century.
Egri, Lajos. (1960) The Art of Dramatic Writing , New York: Simon and Schuster.
CORD, Luis. (1979) Technical screenplay, La Paz: Don Bosco.
FIELD, Syd. (1976) Screenplay , New York, Dell. __________( 1984) The Screenwriter workbook , New York, Dell.
FORNET, Ambrose. (comp) (1988) writer and his craft , La Habana: International School of Film and Television.
FORSTER, EM (1927) Aspects of the novel , New York: Harcourt Brace & Company.
Froug, William. (1992) Screenwriting Tricks of the trade , Los Angeles: Silman-James Press.
Genette, Gérard. (1972). Figures III . Paris: Seuil [In English: Figures III. Barcelona: Lumen, 1989].
Gamerro, Carlos and Paul Solomon. (Compilers) (1993) Before the film: the place of the script , Buenos Aires: La Marca Editora.
Gaudreault, A. (1989) Du littéraire au filmique: système du récit, Paris: Klincksieck Méridiens.
GARCÍA JIMÉNEZ, Jesus. (1993) Narrative audiovisual, Madrid: Cátedra.
GARCIA LORENZO, Luciano. (ed.) (1985) The dramatic character, Madrid: Taurus.
Giannetti, Louis. (1972) Understanding movies , New Jersey: Prentice-Hall.
Greim, AJ (1966) sémantique structurale, Recherche de Méthode . Paris: Libraires Larousse.
Greimas, AJ and Court. (1979) Sémiotique, dictionnaire raisonné of théorie du langage, Paris: Hachette.
Goffman, Erving. (1959) The presentation of self in everyday life , New York: Doubleday & Company [In English: The Presentation of Self in everyday life , Buenos Aires: Amorrortu].
GOVERNMENTAL. R. (1994) Film History , Barcelona: Lumen.
HAAG, J. (1980) The complete guide to standard script formats , California: R. Cole Jr. CMC Publishing.
HAMON, PHILIPPE (1977) "Pour un statut du personnage sémiologique" Narrative in Poétique , Paris: Éditions du Seuil, 115-180.
HORTON. ANDREW. (1994). Writing the character-Centered Screenplay . (Los Angeles: University of California Press).
HOWARD LAWSON, John. (1963) theory and technique of the screenplay , La Habana: ICAIC. ______________________ (1976) Theory and Technique of the drama. Havana: Instituto Cubano del Libro.
Huddle, David. (1989) The writing habit , Hanover: University Press of New England.
Hunter, Lew. (1993) Lew Hunter's Screenriting 434, New York: Putnam.
JARVIS, Eloise. (1979). Techniques of fiction writing , Boston: The Writer Inc.
JENN, Pierre. (1991) Techniques du Scénario . (Paris: Femis).
JOST, François. (1987) L'oeil-Caméra : entre film et roman, Lyon: Presses Universitaires.
KARETNIKOVA, Inga. (1990), How scripts are made, Illinois: Southern University Press.
KING, Viki. (1988). How to write a movie in 21 days , New York: Harper and Row.
LEE, John, (1994) Writing from the body , New York: St Martin’s Press.
KOSBERG, R . (1991) How to see you idea to Hollywood, New York: Harper.
McKEE, Robert. (1991) 1991. Taller Screenplay, Barcelona 11 to 13 January. Reference texts. Mimeographed material. ______________( 1997) Story: Substance, structure, style, and the Principles of screenwriting , New York: HarperCollins.
Mourgue, Nicole (1988) Le nom du personnage filmique , Iris, 8, 55-69.
MARTY, MARTY C Robert et . (1995) 99 réponses sur la Sémiotique , Montpellier: Centre Régional de Documentation pédagogique [In English: Semiotics: 99 responses. Buenos Aires: Universidad Edicial].
Onaindia, Mario. (1996) The classic Hollywood script , London: Polity Press.
PAVIS, Patrice. (1980) Dictionnaire du Théâtre . Termes et concepts de l'analyze théâtral , Paris: Editions Social [In English: Dictionary of Theatre: drama, aesthetics, semiotics , Barcelona: Polity Press, 1983].
MELANIE A. PHILLIPS & CHRIS HUNTLEY. (1996) Dramatica, a new theory of story , California: Screen System Incorporated.
POPE, Thomas. (1998) Good Scripts, Bad Scripts , New York: Three River Press.
Prada Oropeza, Renato. (1989). "The status of the character in today Narratology Renato Prada Oropeza (Comp.), La Habana: Arte y Literatura.
Propp, Vladimir. (1965) Morphologie du conte, Paris: Seuil [In English: Morphology of the Folktale , Madrid: Fundamentos, 1977).
Sadoul, G . (1991) history of world cinema. Madrid: Siglo XXI.
Seger, Linda. (1990) Creating unforgettable characters, New York: Henry Holt and Company. ____________( 1991) How to turn a good script in an excellent script. Madrid: Rialp.
STEINER, Claude. (1975) Scripts people live, Bantam Books: New York.
STRACZVNSKI, J. Michel. (1982) The complete book of scriptwriting , Cincinnati: Writers Digest Books.
Swain, Dwight. (1982) Film scriptwriting, Boston: Focal Press.
TOMASI, DARIO. (1988) Cinema and storytelling: The character, Turin: Loescher Editore.
Torok, Jean-Paul. (1986) Le Scenario , París: Artefact.
Tudor Eliade. (1981) Les secrets de l 'adaptation , Paris: Dujarric.
commented on facebook Days ago he planned to do a makeover of the blog Well, my friend Siona soon 10 minutes or offered to help me with this renewal.
And I ... Enchanted to! I love working with people, I think it brings many positive things: everyone has something to show you, brings a new perspective, fresh air, it's nice teamwork and ... 4 eyes always see more than 2!
The premises are quite clear (or not working .. pq I gave to the poor Siona ) ... My intention was to create a blog with a more professional, more mature and with cleaner lines where the pictures had more importance than other ornaments.
Y. ... Here's the result! I like a lot:)
We talked of shifting the bottom with each season / collection, so it does not fall into a routine y. .. The blog can be wearing the trends!
What do you think?
On the other hand, I would like to invite Siona know, is a charming woman with a wonderful hands that manages a lot of blogs! All very organized, very clean and well kept. Do not miss!
You are many that I have written to ask where you see all the available stock. Generally try to upload to facebook , it is a quick and easy way to update and have to communicate more "fluid." In the blog I crumbled small strokes so ... Up here all the photos would be a little crazy!
But sometimes the pieces sell out quickly, a lot lately! (I really do not know how to thank you enough for this) and although they are all photos uploaded on facebook and not all parts are available. So I will try to have more updated etsy shop to serve as a reference to the parts that are in stock. In this way you can check out a fast and simple.
Although not required to purchase through etsy , you know that you can continue to do so by e-mail.
However ... never hesitate to ask because if a part has exhausted sometimes there are options to replace or re-released, as has happened with the necklace clock for which there is a tiny (but very rewarding) waiting list.
pq I say incredibly rewarding despite having seen more than blatant plagiarism of this design in some large stores (and I will not comment on the quality ...) you have given me the privilege, trust and prefer the illusion of my work. Thanks a million!
For reasons known only by those who follow me and I really appreciate, the draw has been postponed. Yet some people are upset and that instead of nice comment at a time that both being really complicated for me and my family, only focuses on the "trifle" or against on ... one of those things in life that really are not as important as the loss of a loved one.
really did not want to get to discuss this point here, but saw the attempt to "discredit" the anonymous about my seriousness to hold a lottery ... (Anda ... telita has!) Have chosen to clarify here a very general way what has happened.
And again, after a quick draw manual to prevent anonymous feel uncomfortable and have to keep trying to create unrest (not who wants to bother ...) here are the winners of the draw. I immediately send an email to give me your shipping address:
- mvmarluz@Gmail.com
- cachitomiau@Gmail.com
Congratulations to the winners of heart! And most of all thank you very much to the friendly people, polite, friendly and happy to be passing through here every day. A besin all these y. .. Happy Valentine!
assume that much of our blog followers "Free Books" would argue that "Valentine's Day, like Christmas and other festivals, are just old marketing strategies Product mass consumption. And while this fact " is a truth so great that if you write on the white of the eye with a needle would serve as a warning to those who want to learn" , as they said in the Arabian Nights, is also true that love is energy, like any of the supports that allow the development of language in communication, as this is now used to free books.
Most of the history of literature of all cultures of our small planet involve love as a main theme, with death, betrayal, greed and hunger of knowledge. Maybe for us, akin to Western Judeo-Christian culture, we can find one of the most beautiful explanations of the relationship between language, communication and love by the Apostle Paul in his first epistle to the Corinthians (1 Corinthians 13:8-13 ) :
"... If I come to speak in tongues of men or angels, but I have not love, I am become as sounding brass or a clanging cymbal.
If I have prophecy and can fathom all mysteries and all knowledge, and if I have all faith, so as to remove mountains, but I have no love I am nothing.
If I give all I possess and surrender my body to be burned, but I have no love, I gain nothing.
Love is patient and kind. Love is not jealous. Love is not flashy, nor is it arrogant.
is not rude, nor seek its own. Is not provoked, nor does the wrong accounts.
does not delight in evil but rejoices with the truth.
It always protects, always trusts, always hopes, always perseveres.
Love always will be. But the prophecies will end, leave the language and knowledge will cease.
we know in part and prophesy in part ... "
text could also be located at the dawn of the genre of science fiction, thanks to the final sentence" because we know in part and prophesy in part "could well serve as an early definition of" extrapolation . "applied to advance literature or science fiction. But although they say that the Judeo-Christian tradition is the mother of dreams of the future in literature, in a contradictory statement, exaggerated and reckless, it is also true, as that expression Thousand and One Nights, what if we had made it instilled the Judeo-Christian in our western cultures is that the idea of \u200b\u200blove is closely and inextricably linked with suffering. Hence, from aggression, martyrdom and punishment, to the suffering, gentleness, or flogging and flagellation, have been used by artists and poets in the West as the iconography of the sublime, meaning sublimation as offering to God of our sorrows, to show the love we feel for him.
But the same history of the New Testament gospels also told us that Jesus of Nazareth his father said, "Our Father" did not want us death and suffering, as the ancient god of the Semites, and as the only commandment, Jesus commanded us "
" A new commandment I give you: you love one another as I have loved
Our Western history now has more than two thousand years of bloody contradictions, sublime sacrifice, martyrdom educational, bonfires positions presented, and Of course, this also has produced its expression in literature, which allow the rebellious spirit of being free with great violent passions, because of this terrible repression and punishment unbearable to praise the Lord ...
is why with great cynicism and caring for your enjoyment we bring you one of the most poignant erotic novels of the West: "Venus in Furs" by Leopold Von Sacher-Masoch (Poland, 1835-1895). Of whom found a modest, concrete comment on one of our literary sources:
"... Born in 1835 in Lemberg, Galicia (Poland), where his father was head of police. Wrote the saga of Cain's legacy belongs to his most famous book Venus in furs. His literary values \u200b\u200bwere widely recognized by his contemporaries, but what transpired in the history and comes to us is the case, the scandal of his sexual desires, be whipped and humiliated by a woman in furs, to sign contracts that establish their status slave, and the inclusion of a third party in their marriages. That is the theme of Venus in furs. The fate of Masoch is doubly unfair, because his name used to designate the masochism, the opposite. But because their work fell into oblivion while his name became current. He died in 1895.
SS/2011 Where am I? Preparing the collection ... "Etoile"
Y. .. to share a little ... a look over the sketches ^ ^ Of that I'm very happy, it was a pending between my projects. In fact ... And first orders are coming from Sketch! Incredible!
